Auditions for Die Fledermaus by Johann Strauss, with a new translation by Sarah Meyers are Friday and Saturday, October 5 and 6, with call-backs Tuesday, October 9th. See below for more details:
WHEN & WHERE
Auditions for Die Fledermaus will take place Friday October 5th, from 5:00 PM to 9:00 PM and Saturday October 6th, from 10:00 AM to 6:00 PM at Old West Church in Beacon Hill (131 Cambridge Street, Boston, MA 02114). Call-backs will take place Tuesday, October 9th from 6:30 PM to 9:30 PM also at Old West Church in Beacon Hill.
Auditions are open to all persons of color, and individuals of all body types, ages, genders and gender identities.
TO RESERVE AUDITION
To schedule an audition, please send a headshot and resume to firstname.lastname@example.org and indicate which date you would like to audition. You may request a specific time frame but we cannot guarantee we can accommodate the request. Those interested in chorus only do not need to send a resume.
There is a $10 fee to audition (this covers our provided pianist and space rental), please bring cash OR check.
WHAT YOU WILL NEED AT AUDITION
Please bring an English aria to your audition, in addition to a second piece (which can be in any language). For consideration for a specific role, please prepare any aria (at least half) or a long excerpt (approximately 2 minutes) for that character, using the Schirmer English Translation Edition. If you are interested in multiple characters, please prepare excerpts for each. For call-backs, we will ask you to prepare a specific excerpt, which we will send you in your confirmation email. The excerpts are to be sung on-book (though you are welcome to memorize it if you like!) Please bring a hard copy of your resume to the audition.
WHAT YOU WILL NEED FOR CALL BACKS
We will provide you with sides for the scenes and additional excerpts via google docs to prepare in advance. Come prepared to move and make choices!
OTHER REHEARSAL & PRODUCTION DETAILS
- While the rehearsal schedule is TBD, you must be available to rehearse and perform during the time period (nights and weekends) February 14th – April 13th, 2019.
- There will be a sing-through in January along with an acting rehearsal TBD.
- Only two conflicts will be permitted during this rehearsal period.
- Tech is March 31st to April 4th.
- Performances will be April 5th – 13th, (no performance 4/8) at the Boston Center for the Arts Plaza Theatre in the South End.
- All major roles may or may not be double cast. Smaller roles will likely be asked to participate in the chorus.
- The opera will be directed by Cassandra Lovering and conducted by Daniel Ryan.
MassOpera (MetroWest Opera) is committed to diversity in all aspects of our organization and strongly encourage persons of color and individuals of all body types, ages, genders, and gender identities to audition.
Rosalinda – Soprano: a reality TV star, NYC fashionista, wise in the ways of self-promotion and publicity.
Adele – Soprano: 20’s. Fresh faced and over-worked, Rosalinda’s assistant, eager to break into the TV Industry.
Orlovsky – Mezzo: Ageless, a gender-fluid icon, a post-modern pastiche of a person, in the realm of David Bowie or Prince
Ida – Mezzo OR Soprano: 20’s or 30’s, strong, vivacious, best friend of Adele
Eisenstein – Tenor OR High Baritone: Rosalinda’s husband, and NYC power broker. On trial for white collar crimes, and has a wandering eye.
Alfred – Tenor: An old flame of Rosalinda’s who recently resurfaced. Dashing and a little over-the-top.
Falke – Baritone: Long-time friend of Eisenstein, and producer of Rosalinda’s hit TV Show. The ringleader of the show.
Dr. Blind – Tenor: Eisenstein’s lawyer who has an unfortunate stutter when under pressure.
Frank – Baritone or other: Possible gender fluid casting. Deputy sent to apprehend Eisenstein, who is evading his sentence.